Showing posts with label group exhibit. Show all posts
Showing posts with label group exhibit. Show all posts

Press release of 'Engrams' exhibit at ICP and PS1 MoMA. New York,Sep, 2015.


media release

TWO EXHIBITIONS WITH IVANA LARROSA AT ICP AND PS1 MoMA

September 18- September 20th

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Opening reception: Thursday, September 18, 5 – 7 PM at PS1 MoMA, New York
Opening reception: Saturday, September 20, 6 – 8 PM at ICP-Bard MFA Studios, New York


Ancestral Portrait MD, 2015. Ivana Larrosa
Gliclée reproduction on fine art paper embellished with crystals 8x11"

NEW YORK, September 2015.
International Center of Photography- Bard is pleased to present its second group exhibition with Spanish – New York based mixed media artist Ivana Larrosa at two different locations in New York this weekend.
For these exhibition MFA candidate will present for the first time her new work of textiles, chemigrams, photo-paintings and embellished photographs of her series “Engrams”.


The exhibition, which is on view at the ICP-Bard MFA U02 booth at the Printed Matter 10th Annual New York Art Book Fair at MoMA PS1, includes five embellished textiles that she made this summer in collaboration with sculptor and textile artist Elyse Allen, as well as two embellished photographs. The show continues two blocks north at ICP-Bard 2016 MFA 2nd Open Studios at our 24-20 Jackson Ave, Long Island City space, with the debut of Ivana Larrosa’s video performance pieces, created this summer at Haystack Art Residency in Maine, and her family archive series.

The new body of work features Larrosa’s expanding exploration into the car accident that left her with permanent double vision since 2002. Rooted in this accident, Larrosa has developed an aesthetic that has turned into a celebration, exuberant, playful, as well as eccentric and goofy. Identity emerges to reveal the impossibility of representing trauma inherent in Larrosa’s work. Through her reenactments and performances, Larrosa investigates the visual representation of peak experiences and memory as an act of psychological health and an attribute of the self-actualizing person.
Ivana Larrosa uses the scan as a medium of connections between present-past and gender identity, like a reenactment of brain imaging technique. As she describes “the scanned distortions are like engrams, like physical memory trace stored in my brain that helped me to catalyze my feelings about my female role in my family.”

Ivana Larrosa embellishes, paints, creates psychedelic rolls and scanned distortions with her family photo archive. Each method is specific to the subject and meant to ignite and recharge the image, often that following the pattern of her diplopia. She blends colors to create new palettes that activate and give depth and breathe life into her imagery.

Concurrently on view at ICP-Bard MFA studios, 10x10 Photobooks and the ICP Library present Daisuke Yokota: Color Photographs and Photobooks by Young Japanese Photographers: 2005–2015, two pop-up exhibitions highlighting contemporary Japanese photography and photobooks on view during the NY Art Book Fair at MoMA PS1 and ICP- Bard Open Studios. Opening reception: Saturday, September 20, 6 – 8 PM

HOURS AND LOCATION:
Friday, September 18, 1-7pm
Saturday, September 19, 11am-9pm
Sunday, September 20, 11-am-7pm
MoMA PS1 is located at 22-25 Jackson Avenue on 46th Avenue, Long Island City, NY

Friday, September 18, 12-8pm
Saturday, September 19, 12-9pm
Sunday, September 20, 12-5pm
ICP-Bard Studios is located at 24-20 Jackson Avenue - 3rd Floor, Long Island City, NY



About Ivana Larrosa
Ivana Larrosa (b. Logroño, Spain) holds a BA in Media Studies and Mass Communication from University of Navarra (Spain) and is currently pursuing a Master of Fine Arts in Advanced Photographic Studies at International Center of Photography-Bard College in New York with expected completion in Spring 2016. She lives and works in New York.
Her work has been has been shown at many venues in United States including Umbrella Arts Gallery (New York), The Center for Fine Art Photography (Fort Collins,CO), Castell Gallery (Asheville, NC) and New York Art Book Fair at MoMA PS1. Also at Espacio Aglutinador (Havana), Project Space Kleiner Salon (Berlin), and in Spain at Spanish National Museum of Sculpture, Archaeological and Ethnographic Soler Blasco Museum, University Museum of Alicante, State Public Library of Zaragoza and Galeria Sicart. Ivana Larrosa’s work has become part of the permanent collection in Foundations, Museums, Institutions and Private Collections. She has received grants from Lluís Carulla Foundation (Spain, 2010), Passanant Foto and Museum of Tortosa (Spain, 2013 and 2014), and also numerous awards, highlighting International Photographic Award Ramon Aloy 2013 and Best Photo 2010 International Award ‘The Aperture Light’. 

About Ellyse Allen
Elyse herself is a Pennsylvania born, New York City based textile artist and designer. She studied Sculpture and Textile Design at the Rhode Island School of Design, where she later taught and lectured in the Textile Department. Her recent work focuses on embellished knit textiles in diverse forms, from cashmere studded accessories to elaborate mixed media animal masks.

About International Center of Photography – Bard
The International Center of Photography (ICP) is the world’s leading institution dedicated to the practice and understanding of photography and the reproduced image in all its forms. Through our exhibitions, school, public programs, and community outreach, we offer an open forum for dialogue about the role images play in our culture. Since our founding, we have presented more than 700 exhibitions and offered thousands of classes, providing instruction at every level.

The ICP-Bard MFA program offers an exploration into the ways in which the photograph operates in society. The ICP-Bard approach emphasizes creative vision and openness to examining the many iterations of the image, from photography to digital imaging, installation, and video. By considering how photographs are created, presented, discussed, used, and documented, students gain an intimate knowledge of the ways in which images increasingly structure modern society and consciousness.


For all press inquires please contact ICP-Bard at info@icpbardmfa.org

'Chrysalis Veils' at The Center of Fine Art Photography



The Center for Fine Art Photography
  
Untitled (UFO) ©  Jim Kazanjian
Main Gallery
Black and White| Juror Jason Landry
Exhibition Dates |May 23 - July 12 , 2014
Artist and Public Reception | June 6, from 6:00 - 9:00 PM Black and White Exhibition talk with Jason Landry and Hamidah Glasgow
5:00 pm Free and open to the public 
rsvp contact@c4fap.org
Followed by a book signing of "Instant Connections" written by Jason Landry

Exhibiting Artists:

Maria Abadia, Sasha Andruzheych, Lewis Bales, Preston Buchtel, Maija Burnett, James Chrzan, Rich Cortez, Jim Crowley, Robert Curl, Raynor Czerwinski, Corinne DiPietro, Michael Donnor, Frang Dushaj, Robert Earp, Benoit Fournier, Randolph Fritz, Michael Frye, Pauline Gola, Bill Harbin, William Harper, Wolfgang Hastert, Jane Heater, Brett Henrikson, William Hughes, Elizabeth Ireland, Susan Jacobs, Jim Kazanjian, Scott Lerman, Catherine Liberda, Anita Licis-Ribak, Erika Masterson, Alyssa Minahan, David Morel, Bronwyn Morrison, Mary Mulford, Dale Niles, Dustin Panzino, Anuar Patjane, Steve Pearlman,  Babak Pejman-Aryan, Pistolwish, Don Russell, Anastasiia Sapon, Aoife Shanahan, Monica Shulman, Ethan Smith, Larry Snider, Carmen Spitznagel, Martha Thomas, and Paul Wainwright. 
Artist/Public Reception and Book Launch | June 6 from 6:00 - 9:00 PM
Exhibition Dates| June 6 - July 26 , 2014
Exhibiting Artist's: Nicole Avey, Randi Beach, Sandra Chen Weinstein, Frances F. Denny, Miki Hasegawa, Eileen Keator, Ivana Larrosa, Brenda Lindfors, Erin Malone, Matthew Nighswander, Ni Rong, Mark Sawrie, Deb Schwedhelm, Julia Vandenoever, and Terri Warpinski.

Exhibition Dates|June 6 - July 22, 2014
Artist and Public Reception | July 11 from 5:00 - 7:00 PM
Talk and book signing with Patrick Nagatani at 5pm July 11, 2014

Ushnishavijaya © Patrick Nagatani 

Odell Brewing Company Logo           Fort Fund        liveBooks 
The Center for Fine Art Photography | 400 North College Ave. | Fort Collins | CO | 80524
c4fap

Chrysalis Veils has been selected for the Portfolio ShowCase 7 Book and exhibition at The Center of Fine Art Photography in Fort Collins, Colorado (USA)

It's my pleasure to announce I'm one of the fifteen photographers have been chosen to display their twelve-image portfolios in the Center’s Portfolio ShowCase Volume 7 by the juror Alexa Becker. Alexa Becker holds an MA in art history and is the acquisitions editor for photography and art books for Kehrer Verlag, in Heidelberg, Germany.



Each year this competition brings artists, fresh imagery and a new juror together to produce the Center for Fine Art Photography’s Portfolio ShowCase Book. These annually published books provide a platform to feature photographers who demonstrate a remarkable commitment to their work and the strength of vision to produce a cohesive series of photographs.

You can visit the exhibit from June 6th to July 27th

    EL MUSEO IMAGINARIO DE LA ESCULTURA
    La mirada de la fotografía




Desde su invención en 1839, la fotografía transformó radicalmente la relación de los hombres con el arte. No sólo era un medio técnico que permitía «ver» obras nunca contempladas, sino que se
convirtió, además, en un arte en sí mismo, al ofrecer un admirable campo de experimentación creativa.
Entrada de la exposición 'Un Museo Imaginario' Colegio de San Gregorio de Valladolid
Y de entre todas las artes, fue la escultura, muy por encima de la pintura, y desde muy pronto, el objeto artístico predilecto de los grandes fotógrafos. Como afirmó A. Malraux en El museo imaginario, la historia de la escultura «es la historia de aquello que es fotografiable». No sólo por
su facilidad para difundir objetos inaccesibles y dispersos por el mundo —esculturas de catedrales, fuentes y estatuas de jardín, obras en museos, talleres de artistas, monumentos urbanos—, sino porque a través de la elección de la hora del día, del encuadre o de la luz, a través del aislamiento de un detalle, de la confrontación espacial o de la manipulación del color, el fotógrafo extraía de ella una modernidad insólita, una poética inesperada.
Sala de Reservas. Museu de Tortosa. Fondo del MNE

El Museo Nacional de Escultura lanzó hace un año un concurso destinado a todos aquellos amantes de la fotografía atraídos por esos objetos tan fotogénicos y por todas sus posibles suplantaciones, alusiones o sustituciones irónicas. Hasta el extremo de que, como sucede en algunas de las fotografías seleccionadas, el objeto no es tanto la escultura (en el sentido clásico) como la vida o la realidad camufladas en formas «esculturizadas», en consonancia, por lo demás, con la deriva de un arte
que ha abandonado desde hace décadas la figuración, el volumen o la densidad material para expandirse en una pluralidad de expresiones y experiencias, que van del cuerpo humano al objeto, de lo narrativo a la forma abstracta, de la arquitectura al paisaje.


Reposo. Museu de Tortosa. Fondo del MNE
La fotografía ha ido creando así, a medida que evolucionaba, un museo paralelo al mundo real de las estatuas: más amplio, porque va desde las obras maestras a las más ignoradas, desde el bibelot hasta el gran monumento; pero, sobre todo, distinto, porque revela secretos del acto creador y ayuda a comprenderla con ojos nuevos; porque la reinventa y cuestiona hasta límites insólitos el estatuto de lo escultórico. Dicho en pocas palabras, mientras que la escultura real es una afirmación, la
fotografía escultórica es una forma de interrogación; requiere una mirada abierta, despojada de todo prejuicio.

¿Cuántas esculturas no nos conmueven menos que su fotografía?
A. Malraux


-Texto extraido de la hoja de sala de 'Un Museo Imaginario'-

Back in Asheville!

One year after, I come back to Asheville for the opening of 'Next, new photographic visions' a group exhibit curated by Allen Thomas Jr. and Dr. Larry Wheeler, and organized by Castell Photography, a Fine Art Gallery which solely exhibits photo based works.
Next is a group exhibition of contemporary photo based works. The curators selected the works which are relevant to current photographic trends, and which go far beyond what has been seen and into the unexpected. 
I am participating with two pieces of the series 'Numinous'. It's the firts time these photographs are exhibited. The work is in progress and hopefully the whole serie will be exhibited in spring at Sicart Gallery
 With my good friends Mark Hellreich, Linda and Ron Larsen.
with Nina Snoody, Laurie Meyer, my soul sister Barbara King and Zaire Zack. In the back Allen Thomas Jr. collector and Alex Baker photographer.
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It's been a year since last time I visited Asheville when I participated with SENY at the 15th Rotating Exhibit Spotlighting Western North Carolina Artist celebrating the five years Art in the Airport program thanks to Marketing + PR Supervisor Amy Burrit and photographer Zaire Zack.

I couldn't stay longer because I was heading to Ethiopia in november so I missed the video art projection at The Carolina Asheville of 'The Ancient Power of Men's Hand'
My great friends Mark Hellreich and Barbara King helped me to make it possible with the collaboration of Amanda Sweet from The Carolina Asheville.
The Ancient Power of Men's Hand
http://youtu.be/rE7NP50TqBg



Tell Me that You Love Me Even If it's Truth, Vilafranca Contemporània

 



Moving into the territory of the relations between our own feelings towards the world around us is the work of Ivana Larrosa “Absence”, photographs which relate, through a poem by Borges , the need for protection. In the images, the artist erases the image of the significant other, making this need even more noticeable. However, the artist keeps an element, the protective hand, the one that takes care of that family space, which takes care of her and makes her feel safe.
Carolina Castro J.

Galeria Sicart